Research

Faculty Current Endeavors

 

15. Word and Image

The dialectic between pictorial and linguistic signs in the history of culture is a subject of great interest to Nasser Rabbat. Rabbat has published extensively on the relationship between language and imagery in medieval Islamic cultures. He has articles on the etymology of several architectural terms and on the dominance of words in articulating medieval Islamic art. He has devoted his lectures at the Institut du monde arabe (IMA) in 2003, which came out as a book in 2004, to the interplay of word and image in early Islamic art and architecture. Caroline Jones has interrogated the role of meaningless signs in Asian contemporary art, particularly in her essay for UNESCO on the work of Xu Bing and Wenda Gu. A recent course on Islamic Calligraphy was taught by Irvin Schick, an independent researcher and published author on the subject. 

 

  1. Medieval and Renaissance Architecture
  2. Baroque, Rococo and Enlightenment Art and Architecture
  3. Islamic Architecture
  4. Art and Technology/Science
  5. Modern Architecture
  6. Post-war and Postmodern Art and Architecture
  7. Trauma and Memory
  8. Historiography
  9. Gender/Feminism
  10. American Art and Architecture
  11. The City
  12. Orientalism and Postcolonialism
  13. History of Preservation
  14. Contemporary Aesthetic Practices and Cultural Debates
  15. Word and Image
  16. Comparative Global Studies in Art and Architecture
  17. Architectural Education
  18. Landscape and Urbanism