Faculty

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Resources & Opportunities

 

 Research

Faculty Publications

by year

2008

Stanford Anderson

  • "Eladio Dieste: A Principled Builder," pp. 2-19 in Guy Nordenson, ed., Felix Candela Lectures on Structural Engineering 1998-2005. New York: Museum of Modern Art, 2008.
  • "Non-conservative Models: The Example of Le Corbusier's Maison Dom-ino," for Lu Yongyi, ed., Tongji Lectures. Shanghai: Tongji University, 2008. [in Chinese only].
  • "Ficcion de la Funcion," [a Spanish translation by Juan Manuel Heredia of "Fiction of Function" (1987)], Bitácora-Arquitectura (Mexico City), 18 (June 2008), xx-xx.
  • "Modernity as a Continuing Attitude," preface to Irene Fatsea et al, eds., Le Corbusier – Greece – Modernity (Volos, Greece: University of Thessaly, 2008).
  • "Revealing Depth," a contribution to a Festschrift for Malcolm Quantrill. Roger Connah, editor. 2008.

Arindam Dutta
  • “Design: On the Global (R) Uses of a Word”, Inaugural Issue, Design and Culture, 2008.

Mark Jarzombek, “A Conceptual Introduction to Architecture,” Thresholds 33: Formalisms (Spring 2008).

Caroline Jones

  • “Going beyond the body?” for Cinmae, “Media Art China” biennial exhibition, Beijing (2008).
  • “Der Blinde Mann, oder: wie man eine Austellung besucht,” in Interesse für bedingtes Wissen  (Munich 2008): 153-178.
  • “Rendering Time,” in Einstein in the 21st Century, (Princeton, Berlin, 2008).

Nasser Rabbat

  • L'art Islamique à la recherche d'une méthode historique, (IMA, 2008).
  • Courtyard House: Between Cultural Expression and Universal Application, (Ashgate, 2008).
  • “Jarr al-‘Amud,” Turath: Egypt’s Heritage Review vol. 0(2008): 78-80.

2007

Stanford Anderson,

  • "Eladio Dieste: Un'architettura rivoluzionaria in Uruguay." Rome: Istituto Italo-Latino Americano, 2007. [Catalog of the new Italian edition of Anderson's MIT traveling exhibition on Eladio Dieste; with a short essay by Anderson.].
  • "'The New Object,' or 'The Bongo Bowl Esthetic' (1967)," Thresholds 34 "Portability" (2007), 12-19.
  • "Townscape and Street Furniture," preface to Kin Wai Michael Siu, Urban Renewal and Design: City, Street, Street Furniture. Hong Kong: School of Design, Hong Kong Polytechnic University, 2007, 4-13.

David Friedman with Hilary Ballon, "Portarying the City in Early Modern Europe: Measurement, Representation, and Planning". Cartography in the European Renaissance, ed. David Woodward. Volume Three of the History of Cartography, part 1, (Chicago, University of Chicago Press, 2007), pp. 680 - 704.

Mark Jarzombek

  • “Lalibela and Libanos, The king and the Hydro-Engineer of 13th Century Ethiopia”, Construction Ahead, (Oct 2007), 12-17.
  • “The Cunning of Architecture’s Reason”, Footprint, Trans-Disciplinary, (Autom 2007) 31-46.

Caroline Jones

  • “Review of David Joselit’s Feedback,” Artforum International (April 2007).
  • “Video Trajectories,” curator for/ essay in  Sounding the Subject  (Cambridge: List Visual Art Center, October 2007).
  • “Server/User Mode: the art of Olafur Eliasson,” in Artforum International, 46:2 (October 2007): 316-25.

2006

Stanford Anderson

  • "Eladio Dieste: A Principled Builder," pp. 2-19 in Guy Nordenson, ed., Felix Candela Lectures on Structural Engineering 1998-2005. New York: Museum of Modern Art, 2007.
  • Quasi-autonomy in Architecture: Louis I. Kahn and Luigi Cosenza," pp. 220-231 in Giancarlo Cosenza, ed., Luigi Cosenza: The Olivetti Factory in Pozzuoli. Naples, Italy: CLEAN Edizioni, 2006. [In English and Italian]
  • "Orders in Reception," in "The Art of the City: From Camillo Sitte to Today," sp. no. of Datutop 27 [Tampere University of Technology] (2006), 96-106.
  • Contribution "Architecture as Section" in Laura Bossi, ed., "Ten Ideas on Dieste," Domus [Milan], 894 (July-Aug. 2006), 102-111 (in Italian and English).
  • "Orders in Reception," in "The Art of the City: From Camillo Sitte to Today," sp. no. of Datutop 27 [Tampere University of Technology] (2006), 96-106.
  • Contribution "Architecture as Section" in Laura Bossi, ed., "Ten Ideas on Dieste," Domus [Milan], 894 (July-Aug. 2006), 102-111 (in Italian and English).

Arindam Dutta

  • The Bureaucracy of Beauty: Design in the Age of its Global Reproducibility (New York: Routledge, 2006).
  • Patrick Geddes and Organicist Growth: Cities, Biology, Sex, Population and a Theory of Economics. In Journal of Civics and Generalism, Summer 2006.
  • Strangers Within the Gate’: Public Works and Industrial Art Reform" in Vikramaditya Prakash and Peter Scriver (eds.) Colonial Modernities: Building, Dwelling and Architecture in British India and Ceylon. New York: Routledge, 2006.
  • Learning from Organicism: Interdisciplinarity / Para-Architectures. In Journal of the Society of Architectural Historians. December 2006.
  • Sahmat 1989-2004: Liberal Art Practice against the Liberalized Public Sphere. In Cultural Dynamics, 17:2 (November 2006).

David Friedman and Alex MacLean, "History on the Ground: Airviews of a Florentine Town", Scarperia 700 Anni, Scarperia, 2006.

Mark Jarzombek

  • with Vikram Prakash and Frances D.K. Ching, A Global History of Architecture (New York: Wiley Press, August 2006).
  • "The Post-traumatic Turn and the Art of Walid Ra'ad and Krzystof Wodiczko: From Theory to Trope and Beyond,” Trauma and Visuality in Modernity, Saltzman, Lisa and Eric Rosenberg, editors (Lebanon, NH: Dartmouth College Press/University Press of New England, 2006).

Caroline Jones

  • Eyesight Alone: Clement Greenberg's Modernism and the Bureaucratization of the Senses (Chicago: The University of Chicago Press, July 2006).
  • “Troubled Waters: Globalism and the Venice Biennale,” Artforum International (February 2006): 91-92.
  • “Rosemarie Trockel: Ludwig Museum, Cologne,” Artforum International (cover review, January 2006): 213-14.
  • Sensorium: Embodied Experience, Technology, and Contemporary Art, as editor and contributor, (Cambridge: List Visual Arts Center and  MIT Press, 2006).
  • “The Mediated Sensorium,” in ibid., 2006.
  • “Making Artists Talk,” in Fare Storia 3, Paola Nicolin et al., ed., UniversitΒ IUAV di Venezia (Venice University Institute of Architecture) and Mondadori, Venice, 2006.

Nasser Rabbat

  • “‘Ajib and Gharib: Artistic Perception in Medieval Arabic Sources,” The Medieval History Journal 9, 1 (2006): 99-113.
  • "The Problem of Identity in Contemporary Arabic Architecture," (in Arabic), Majallat al-Funun 61 (January 2006): 25-27.
  • The Concept of Architecture in Medieval Islamic Writings,” ‘Alam al-Fikr 34, 4 (April-June 2006): 7-35.
  • Fahmi 'Abd al-'Alim, Al-'Imarah al-Islamiyah fi 'Asr al-Mamalik al-Jarakisah: 'Asr al-Sultan al-Mu'ayyad Shaykh, in Mamluk Studies Review 10, 2 (2006).
  • "Al-Maw‘id (the Rendez-vous)" short story, Majallat al-Adab 54, 10/11/12 (2006): 62-65.
  • "The Right of Palestine to Exist," Majallat al-Adab 54, 3/4 (2006): 14-19.

2005

Stanford Anderson

  • "The Vernacular, Memory, and Modernism," for Maiken Umbach, ed., Vernacular Modernism: Heimat, Globalization and the Built Environment. (Palo Alto, CA: Stanford University Press, 2005)
  • "Camillo Sitte: Methoden der Rezeption," pp. 110-128 in Klaus Semsroth, Kari Jormakka, and Bernhard Langer, eds., Kunst des Städtebaus: Neue Perspektiven auf Camillo Sitte. Vienna: Böhlau Verlag, 2005.

Arindam Dutta, "Organicism: Inter-Disciplinary and Para-Architectures," in Journal of the Society of Architectural Historians, Volume 64, Number 4 (December 2005)

David Friedman with Antonella Astorri, "The Florentine Mercanzia and its Palace," I Tatti Studies: Essays in the Renaissance, volume X (2005)

Mark Jarzombek

  • “Disguised Visibilities: Dresden/"Dresden,"" Log (Fall 2005)
  • “The Trans(formations) of Fame,” PERSPECTA 37: Famous (2005)

Caroline Jones

  • “Form/Formless,” in Amelia Jones, ed., The Blackwell Companion to Contemporary Art since 1945 (London: Blackwell, 2005).
  • “Fields of Intuition (in four proportions and five mods),” in Elisabeth Sussman, ed., Remote Viewing, Whitney Museum of American Art (Abrams: New York, summer, 2005).
  • “Liminal Zones,” in Chris Csikzentmihályi, Skin/ Control (Charta: Milan, January 2005).
  • “The Speed of Light: review of Dan Flavin retrospective at the National Gallery of Art,” Artforum International (January, 2005).
  • “Doubt Fear,” in Art Papers (cover essay; January 2005).

Nasser Rabbat

  • "The Militarization of Taste in Medieval Bilad al-Sham,' in Muslim Military Architecture in Greater Syria from the Coming of Islam to the Ottoman Period, Hugh Kennedy, ed. (Leiden: E. J. Brill, 2005), 84-105.
  • "The Transcultural Meaning of the Dome of the Rock," in The Open Veins of Jerusalem, Munir Akash and Fouad Moughrabi, eds. (Jusoor Book, distributed by Syracuse University Press, 2005), 71-107.
  • "The Dream of Safwan Dahoul," (in Arabic) Ibda‘at Handasiyya 3 (2005): 72-79.
  • "A Mosque and an Imperial Dream," in the Series on Muhammad Ali, Al-Ahram Weekly, (18-24 August 2005), 18.
  • An Interview on Islamic Architecture and cultural identity "who, what, where, when, why, how," in ab Architecture Boston, (September-October 2005): 44-49.
  • "In Defense of Criticism: A Call to Arab Critics," (in Arabic), Majallat al-Adab 53, 6/7 (2005): 4-7.
  • “The Medieval Link: Maqrizi's Khitat and Modern Narratives of Cairo,” in Making Cairo Medieval, eds. Nezar AlSayyad, Irene Bierman, and Nasser Rabbat (Lanham, Md.: Lexington Books, 2005), 29-47.
  • "Documenting Buildings in the Waqf System," Thresholds 28 (Concerto Barocco: Essays in Honor of Henry A. Millon) (Spring 2005): 30-32.
  • “Arabism in the Heart of Expatriate Life," (in Arabic), Majallat al-Adab 53, 1/2 (2005): 4-9.

2004

Stanford Anderson

  • editor, Eladio Dieste: Innovation in Structural Art (New York: Princeton Architectural Press, 2004).
  • "HTC at MIT: Architectural History in Schools of Architecture," Architektur weiterdenken: Werner Oechslin zum 60. Geburtstag, Sylvia Claus, et al., (Zurich: gta Verlag, 2004) pp. 330-338.
  • "Morfologia urbana," entry for the Dizionario dell’Architettura del XX Secolo (2nd ed., X vols., Turin: Umberto Allemandi, 2004), X:33-43.

Arindam Dutta, "Geometry, Symmetry: Design, Intention – Notes on a Certain “Turn” in Modern Aesthetic," Journal of Contemporary Thought, Winter 2003-2004.

David Friedman

  • “Introduzione”, with Paolo Pirillo, in Le terre nuove. Atti del seminario internazionale organizzato dai Comuni di Firenze e San Giovanni Valdarno,  ed. D. Friedman and P. Pirillo,  Leo S. Olschki, Florence,  2004, pp.XIX – XXX.
  • "La Piazza di San Giovanni" in Le terre nuove. Atti del seminario internazionale organizzato dai Comuni di Firenze e San Giovanni Valdarno,  ed. D. Friedman and P. Pirillo,  Leo S. Olschki, Florence,  2004, pp. 127 – 151.

Mark Jarzombek

  • Designing MIT: Bosworth’s New Tech (Boston: Northeastern University Press, October 2004)
  • “Disguised Visibilities: Dresden/"Dresden," Memory and Architecture, Edited by Eleni Bastea (University of New Mexico Press, November 2004)
  •  “Framing the Museum,” Museum der Moderne Salzburg [Museum of Modern Art Salzburg], Jury: Luigi Snozzi, Friedrich Achleitner, Hermann Czech, et. al. (Salzburg: Verlag Anton Pustet, May 2004).
  • “Joseph August Lux: Theorizing Early Amateur Photography – in Search of a Catholic Something.’” Centropa, Journal of European Architecture and Art 4/1 (January 2004): 80-87.

Caroline Jones

  • “Talking Pictures,” Things That Talk: Object Lessons from Art and Science, Lorraine Daston, ed. (New York: Zone Books, 2004).
  • “Mirror, Mirror: Caroline A. Jones on Robert Smithson and History,” Books column, Artforum International Vol. XLI No. 10 (Summer 2004): 37-40.
  • “Is International Modernism National? Is Global Postmodernism Local? Questions for Art History,” Visions of a future. Art and art history in changing contexts, edited by Hans-Jörg Heusser and Kornelia Imesch (Zurich: Swiss Institute for Art Research, 2004).

Nasser Rabbat

  • "Islamic Architecture as a Field of Historical Inquiry," AD Architectural Design, Special Issue Islam+Architecture 74, 6 (Nov-Dec 2004): 18-23.
  • "Raqsat al-Tannura (The Dance of Tannura)," short story (in Arabic), Majallat al-Adab 52, 7/8 (2004): 44-48.
  • "The Architectural and Memorial Significance of the Two Harams," (in Arabic) Ibda‘at Handasiyya 2 (2004): 101-105.
  • "A Brief History of Green Spaces in Cairo," in Cairo: Revitalising a Historic Metropolis, S. Bianca and P. Jodidio (Geneva: The Aga Khan Trust for Culture, 2004), 43-53.
  • "Classicism in the Contemporary Arabic Historical Discourse: Our Heritage or theirs?" (in Arabic) Majallat al-Adab 52, 5/6 (2004): 14-18.
  • "Foreword," to Adonis, A Time Between Ashes and Roses, translated from the Arabic by Shawkat M. Toorawa (Syracuse, NY: Syracuse University Press, 2004).
  • "The Art of the Southern Mediterranean is Still 'the Other'," (in Arabic) Majallat al-Adab 52, 3/4 (2004): 85-88.9.
  • "Some Thoughts on Tourism in Syria: The 'Dead Cities' in Bal‘as Mountains as a Model," (in Arabic) Ibda‘at Handasiyya 1 (2004): 112-16.

2003

Stanford Anderson, editor, The Belluschi Lectures: Charles Correa (Cambridge, MA: MIT School of Architecture and Planning, 2003).

David Friedman

  • “Percezione e rappresentazione dello spazio dall’architettura fortificata al disegno urbano,” Fortezze d”Europa,, Forme, professioni e mestieri dell’archiettura difensiva in Europa e nel Mediterraneo spagnolo. Atti del Convegno tenuto a L’Aquila nel Marzo 2002,  Gangemi editore, Rome, 2003, pp.373-384.
  • " The Residence of the Mercanzia and the Piazza della Signoria in Florence." Imago urbis: l'immagine della cittá nella storia d'Italia. Atti del convegno internazionale (Bologna 5 – 7 Septermber 2001). Viella, Rome, 2003, pp. 371 – 383.

Mark Jarzombek

  • and Juliana Maxim, editors, ‘East-European Art and Architecture,’ Centropa, a Journal of Central European Architecture and Related Arts 3/2 (May 2003): 93-157, with articles by Evá Fargács, Kataryzna Murawska-Muthesius, Deborah Schultz, Ana Miljacki, and Martin Patrick.
  • “Sustainability – Architecture: between Fuzzy Systems and Wicked Problems,” Blueprints 21/1 (Winter 2003), pp. 6-9. Turkish translation: “Surdurulebilir Mimarlik: Donuk Sistemlerle Habis Sorunlar Arasinda,” Arredamento Mimarl?k, (Journal of Design Culture) no. 100+56 (March 2003): 38-39.

Caroline Jones

  • “The Modernist Sensorium: a critical history of Clement Greenberg,” streaming video archived in “Symposium: Frames of Viewing,” on http://netzspannung.org (2003).
  • “Coca-Cola Plan: Icons of the Global in Contemporary Art,” Yearbook of the Wissenschaftskolleg zu Berlin, 2003.

Nasser Rabbat

  • "Who Was al-Maqrizi? A Biographical Sketch," Mamluk Studies Review 7, 2 (2003): 1-19.
  • "The Dialogic Dimension in Umayyad Art," RES 43 (Spring 2003): 78-94.
  • “The Visual Milieu of the Counter-Crusade in Syria and Egypt” in The Crusades: Other Experiences, Alternate Perspectives. Selected Proceedings from the 32d Annual CEMERS Conference, K. I. Semaan, ed. (Binghamton, NY: Center for Medieval and Early Renaissance Studies, 2003), 71-81.
  • "Writing on Architecture: A New Journal in Arabic," (in Arabic) lead article in the first issue of Ibda‘at Handasiyya 1 (2003): 8-10.
  • "Hassan Fathy and the Identity Debate," in Fault Lines: Contemporary African Art and Shifting Landscapes, Gilane Tawadros and Sarah Campbell, eds., (London: Institute of International Visual Art, 2003), 196-203.
  • "Remarks on the Relationship between the Woman and the House in Arabic Culture," (in Arabic) Majallat al-Funun 25 (January 2003): 59-61.

2002

Stanford Anderson

  • "Quasi-autonomy in Architecture: The search for an ‘in-between’," Perspecta 33 (2002), 30-37.
  • editor, The Belluschi Lectures: Renzo Piano (Cambridge, MA: MIT School of Architecture and Planning, 2002).

Arindam Dutta

  • "Infinite Justice: An Architectural Coda," Grey Room, Issue No. 7. Spring 2002.
  • "Unmaking Beauty: Aesthetics in the Shadow of History," Rendezvous. January 2002.     

Mark Jarzombek

  • “L’onde traumatique,” Les Cahiers de médiologie: La scène terrorists 13 (2002): 221-233.
  • “MIT's  ‘New Tech,’” Dialogue, Architecture+Design+Culture65 (December 2002): 119-121.
  • “Post-critical Practice,” Architecture Theory Review 7/1 (April, 2002): 149-151.

Caroline Jones

  • “Mining the Lode,” Thresholds 25, (Fall 2002): 24-29; with response to James Elkins, 81-83 .
  • “Preconscious/Posthumous Smithson: The Ambiguous Status of Art and Artist in the Postmodern Frame,” Res 41 (Spring 2002).
  • “Making Abstraction,” contribution to Iconoclash, exhibition catalogue, Bruno Latour, et al., eds. (Zentrum für Kunst und Medientechnologie [ZKM], Karlsruhe, March 2002).
  • “Still Painting,” contribution to Urgent Painting exhibition catalogue (Musée d’Art Moderne de la Ville de Paris, January 2002); essay translated and published in Korean art journal, Art in Culture 4:3 (March, 2003).

Nasser Rabbat

  • Thaqafat al Bina’ wa Bina’ al-Thaqafa: Buhuth wa Maqalat fi Naqd wa Tarikh al-‘Imara. 1985-2000 (The Culture of Building and Building Culture: Essays and Articles on Criticism and History of Architecture. 1985-2000) (Beirut: Riad Alrayyes Publisher, 2002).
  • "Qasr and the Connotations of Monumentality in Mamluk Architecture," (in Arabic) Bulletin d’Études Orientales 53-54 (2001-2002): 539-558.
  • "Perception of Architecture in Mamluk Sources," Mamluk Studies Review 6 (2002): 155-76.
  • "In the Beginning Was the House: On the Image of the Two Noble Sanctuaries of Islam," Thresholds 25 (Fall 2002): 56-59.
  • "Remarks on the Novel 'My Name is Red' by Orhan Pamuk," (in Arabic), Wughat Nazar 46 (Nov 2002): 58-60.
  • "Concluding Remarks: The Boundaries of Architectural Education Today," in Architectural Education Today: Cross-Cultural Perspectives, A. Salama, W. O'Reilly, and K. Noschis, eds. (Lausanne: Comportements, 2002), 149-53.
  • "On being named Nasser," Al-Ahram Weekly, Special Supplement: Gold Jubilee of the 1952 Revolution, No. 595 (18-24 July 2002), 16.
  • “Le classicisme, version arabe contemporaine," Qantara 42 (Hiver 2001-2002): 30-34.

2001

Arindam Dutta, "Norming Pedagogy," Thresholds, Issue No. 23. Fall 2001.

David Friedman, "'Fiorenza': Geography and Representation in a Fifteenth Century City View." Zeitschrift für Kunstgeschichte, LXIV, 1 (2001), pp. 56 – 77.

Mark Jarzombek

  • Urban Heterology: Dresden and the Dialectics of Post-Traumatic History, volume 2 in the Studies in Theoretical and Applied Aesthetics series, (Lund: Lund University, Spring 2001)
  • “Bernhard Hoesli Collages/Civitas,” Bernhard Hoesli: Collages, exh. cat. , Christina Betanzos Pint, editor (Knoxville: University of Tennessee, September 2001), 3-11.
  • "The Getty Kouros, From History to "History" and Back," Thresholds 23 (Fall, 2001): 96-97.
  • “Joseph August Lux: Fighting Fashion with the Kodak,” Thresholds, 22 (Spring 2001): 54-63.
  • “Dresden’s New Synagogue and the Problematics of Bauen,” Il Progetto 7 (Spring 2001): 287-33

Caroline Jones

  • “Robert Smithson’s Technological Sublime: Alterities and the ‘Female Earth’,” Gendering Landscape Art, Steven Adams and Anna Gruetzner Robins, eds. (University of Manchester Press, 2001).
  • “The Modernist Paradigm: The Artworld and Thomas Kuhn,” Critical Inquiry 26:3 (Spring, 2000), 488-528; response to Michael Fried commentary in subsequent issue of Critical Inquiry 27:4 (Summer 2001).

Nasser Rabbat

  • with K. Brustad, M. Cooperson, J. J. Elias, N. N. Khoury, J. Lowry, Sh. Toorawa, D. F. Reynolds, and D. Stewart, Interpreting the Self: Autobiography in the Arabic Literary Tradition, ed. D. Reynolds (Berkeley: University of California Press, 2001).
  • "The City, History, and Power: al-Maqrizi and his Pioneering Book'al-Mawa‘iz wa al-I‘tibar bi Dhikr al-Khitat waal-Athar,'" (in Arabic) Annales Islamologiques 35 (2001): 77-100. 
  • Salâh al-Dîn et l'imaginaire," Qantara 41 (Automne 2001): 30-36.
  • “On Freedom and Belonging,” (in Arabic) Wughat Nazar 29 (June 2001): 64-69.
  • "The Shaping of the Mamlouk Image," Hadeeth al-Dar 10 (Kuwait, Dar al-Athar al-Islamiyya, 2001): 2-5.
  • "Maqrizi's Khitat: An Egyptian Lieu de Mémoire" in The Cairo Heritage.Papers in Honor of Layla Ali Ibrahim, ed. Doris Behrens-Abouseif (Cairo, AUC Press, 2001), 17-30. “Islamic Architecture: Trying to Break out of the Old Paradigm,” (in Arabic) Majallat al-Funun 1 (January 2001): 39-41.

2000

Stanford Anderson, Peter Behrens and a New Architecture for the Twentieth Century (Cambridge: The MIT Press, 2000).

Mark Jarzombek

  • The Psychologizing of Modernity: Art, Architecture and History (Cambridge UK: Cambridge University Press, 2000)
  • ‘Corporate Architecture,’ Journal of Architectural Education 54/2 (November 2000): 67-94, with articles by Gwendolyn Wright, Reinhold Martin, and Jim O’Brien.

Nasser Rabbat

  • “Architecture and Memory: An Invitation to Think,” (in Arabic) Wughat Nazar 23 (December 2000): 62-64.
  • "Representing the Mamluks in Mamluk Historical Writing," in The Historiography of Islamic Egypt, c. 950-1800, Hugh Kennedy, ed. (Leiden, E. J. Brill, 2000), 59-75.
  • “Remarks on the Document, Memory and Reconciliation: The Church and the Faults of the Past, Did the Pope Apologize to the Muslims?” (in Arabic) Wughat Nazar 18 (July 2000): 46-49.
  • “Adonis, l’homme critique et poète d’un même souffle,” in Adonis, un poète dans le monde d’aujourd’hui, 1950-2000 (Paris: Institut du Monde Arabe, 2000), 314-16.
  • "Salah al-Din al-Ayyubi: The Hero between History and Myth and the Postmodern Framework. A Criticial Review of The Book of Saladin by Tariq Ali," (in Arabic) Al-Bahrain al-Thaqafiyya 26 (Oct. 2000): 29-34.
  • "Restoration Projects in Islamic Cairo Critiqued," in Medina 13 (May-June 2000): 48-51.
  • “The Changing Concept of Mamluk in the Mamluk Sultanate in Egypt and Syria,” in Slave Elites in the Middle East and Africa: A Comparative Study, Edited by Miura Toru And John Edward Philips (London and New York: Kegan Paul International, 2000), 81-98.

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History, Theory and Criticism of Architecture and Art is part of the Department of Architecture, within the School of Architecture and Planning at the Massachusetts Institute of Technology.