AKPIA Lectures

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AKPIA@MIT Spring 2017 "An Evening With..." Lecture Series

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Feb 27, 2017 - 6:00pm
3-133

The contemporary environmental, political and financial crises have brought energy to the forefront of design concerns, emphasizing once again that geography has a significant role to play for the design of oil infrastructure. This talk will review findings from DESIGN EARTH research on Hassi Messaoud Oil Urbanism, After Oil in the Gulf, and the Future of Oil Company Towns to discuss ways in which representation could play an instrumental in discussions about energy transition.

Mar 20, 2017 - 6:00pm
3-133

This talk seeks to explore a method of decolonizing photography. It aims to disassociate “the history of photography” from being synonymous with and read as the “history of [Western] photography.” In the process of “provincializing” European photography, such a method locates photographic practice and representation within political economies of colonialism, nationalism, class formation, and capitalist order.

Apr 3, 2017 - 6:00pm
3-133

What Saudi activists call “Islamic Action” (al-‘amal al-islami) became the most efficient way for them to engage with the public realm after big Saudi cities were forcibly turned into individualizing and depoliticized suburbs, North American style. The Islamic movement in Saudi Arabia emerged as a political force in the 1970s and 1980s, at the very moment when Western urban planners designed new Saudi cities where they injected counterinsurgency devices and implemented free market solutions.

Apr 24, 2017 - 6:00pm
3-133

A World War II hero, pioneering critic of racism in France, revolutionary psychiatrist, spokesman of the Algerian national liberation movement: Frantz Fanon lived many lives for a man who died at 36. But what thread links these “lives,” and how are we to make sense of Fanon’s writings today, several decades after the collapse of the colonial regimes he opposed? This lecture will explore how Fanon invented himself on the page while responding to a series of extreme situations. It will also reflect on Fanon’s contemporary “after-lives”.