Rania Ghosn

Associate Professor of Architecture and Urbanism

Rania Ghosn is Associate Professor of architecture and urbanism at the Massachusetts Institute of Technology and founding director, with El Hadi Jazairy, of DESIGN EARTH. Beginning in January 2025, she is incoming director of the SMArchS Urbanism program. 

Her research and creative practice make public the climate crisis by charting how urban technological systems have transformed the earth and imagining ways of living with such legacy geographies on a damaged planet. Her design research methodology draws together environmental history, spatial representation across scales, speculative design, and various media assembliespublication, exhibition, and animation. She is co-author of Geostories: Another Architecture for the Environment (3rd ed. 2022; [2018]), Geographies of Trash (2015), The Planet After Geoengineering (2021), and Climate Inheritance (2023). Their ongoing project, titled "Elephant in the Room," is a series of animations of figures from Natural History museums that are brought back to life to reimagine cultural institutions for climate action. Her writing has been published in Log, Perspecta, Avery Review, Architectural Design, Journal of Architectural Education, New Geographies, Volume, San Rocco, Science Fiction Studies, Thresholds, [bracket], and numerous edited volumes on infrastructure, technology, pedagogy, and climate. The work of Design Earth is in the New York Museum of Modern Art permanent collection and has been exhibited internationally, including at Venice Biennale, V&A Museum, Bauhaus Museum Dessau, SFMOMA, Shenzhen Bi-city Biennale of Urbanism/Architecture, Tallinn Architecture Biennale, Matadero Madrid, Milano Triennale, Oslo Architecture Triennale, and Seoul Biennale of Architecture and Urbanism. 

Ghosn is recipient of the United States Artist Fellowship, Architectural League Prize for Young Architects + Designers, and ACSA Faculty Design Awards for outstanding work in architecture and related environmental design fields as a critical endeavor.  Her work has been supported by grants from the Graham Foundation, MIT Center for Art, Science & Technology (CAST), MIT Humanities, Arts, and Social Sciences (HASS), and Taubman College Research on the City, among others.  She holds a Bachelor of Architecture from American University of Beirut, a Master of Geography from University College London, and a Doctor of Design from the Harvard Graduate School of Design, where she was founding editor of the journal New Geographies and editor of its issue "Landscapes of Energy." Prior to MIT, Rania was Assistant Professor at University of Michigan Taubman College and Mellon Postdoctoral Fellow at Boston University. She is currently on the editorial board of JAE – Journal of Architectural Education [2022-2025] and has co-edited the issue titled "Worlding. Energy. Transitions." 

Projects
Installation view in the MoMA gallery "Systems" in the exhibition Collection 1970s–Present
An exhibition at MIT Museum that brings art and science together to examine possible futures where outer space is both a frontier for human exploration and a new territory for exploitation by private enterprise.
In the midst of a climate crisis, The Planet After Geoengineering speculated on technologies that counteract the effects of anthropogenic climate change by deliberately intervening in Earth systems and portrays the planet following the deployment of five such technologies in a series of speculative fictions—Petrified Carbon, Arctic Albedo, Sky River, Sulfur Storm, and Dust Cloud.
The Planet After Geoengineering builds the worlds and tells the stories of geoengineering in three narrative media: drawing, animation, book.
DE_Bauhaus High Res
Climate Inheritance is a speculative design research publication that reckons with the complexity of world and heritage in the Anthropocene. The impacts of climate change on heritage sites—from Venice flooding to extinction in the Galápagos Islands—have garnered empathetic media attention in a landscape that has otherwise failed to communicate the urgency of the climate crisis. In a strategic subversion of the media aura of heritage, DESIGN EARTH casts ten World Heritage sites as narrative figures to visualize pervasive climate risks—rising sea levels, extinction, droughts, air pollution, melting glaciers, material vulnerability, unchecked tourism, and the massive displacement of communities and cultural artifacts—all while situating the present emergency within the wreckages of other ends of world, replete with the salvages of extractivism, racism, and settler colonialism.