Architectural Design Workshop — Brick x Brick: Drawing a Particular Survey (H1 Half Term)
This is an H1 Half-Term Subject which meets February 5 - March 22, 2024 (includes final exam period)
If the architectural drawing moves something unknown to something known (from vision to building), the reverse could be said of the architectural survey.
The potential of the architectural survey lies in its mobilizing of something known into unforeseeable future uses (from building to visions). This course centers on recasting the architectural survey from conveyor of building facts to instrument for building stories. Operating somewhere between the limits of absolute truth and virtual truth, our research will aim to uncover new ways of engaging architecture’s relationship to vision, documentation, and the art of renewal (or preservation) against the backdrop of racial, economic, and material conditions in the turn-of-the century South. More specifically, the site of the course will be Tuskegee University and the legacy of Robert R. Taylor, the first accredited Black architect, MIT graduate, and designer and builder of a significant portion of the campus’s brick buildings.
Students will consider Taylor’s work both in the present context and its inception under Booker T. Washington’s leadership.
In addition to rigorously surveying a building through traditional and non-traditional survey methods and media, students will engage Taylor’s legacy through on-site field work paired with archival research. Observations will be filtered through distinct ways of looking to describe an existing building not as it is but as it is seen by the student. The results, a set of unconventional as-built drawings, will question and advance visuality as architecture’s essential resource.
For this course, travel is required and will take place prior to the start of the spring semester (Sunday 1/28-Thursday 2/1). The travel week will involve a mix of tours, teaching, discussions, and on-site surveying. Following our travels, class days are formatted around lectures, readings, discussions, tutorials, desk and pin-up critiques.