Note: Students interested must have participated in a climate corps workshop (4.183 or 4.184 ) or internship (MITOS Summer cohort ‘24 or PKG Climate IAP ‘25) or by permission of the instructor. 

Description

Part of a multi-partner, multi-year collaboration, the workshop operates as a corps where students (graduates or undergraduates) work on tangible projects that advance campus, local city or neighborhood climate or climate justice plans and goals. Working individually or in teams, students drive projects, which build on the MIT Office of Sustainability strategic approach to the campus as a test bed and ongoing partnerships with community-based organizations or city agencies in Boston and Cambridge. Ongoing themes we have been exploring include:

• Extreme heat
• Circularity and designing out waste
• Community farms
• Equitable career paths
• Climate and resiliency hubs.

Students develop a project plan with the partner and support of the instructor, setting personal learning goals to deepen their understanding of their chosen theme, their skills and practical experience in project development and implementation. Students learn from each other through weekly reflections and discussion of intersecting dimensions of design and impact: climate, community and careers. 

In order to hit the ground running, students should email the instructor a description of what they would like to work on and why. 

Partners and collaborators: MITOS; PKG; Urban Risk Lab; DesignX; SA+P; Eastie Farm Climate Corps; PowerCorpsBOS; MIT Facilities; City of Cambridge. 

Note on units: Students taking the course for 3 units will propose projects that can be completed during weekly class time, with targeted research and meetings outside of class. Students taking the course for 9 units will undertake projects involving more extensive outside research, partner engagement.

As cities, industries, and manufacturing systems have formed over centuries, their waste streams are producing an ever-growing accumulation of matter, a material stockpile that can be mined. In the present time of climate crisis, when resourcefulness and critical, creative practices are becoming imperative, the agency of the designer shifts to appreciate scavenged, processed, & off-cut materials, and hone new ways of imagining what they can produce.

For the OFFCUT/CUTOFF IAP Workshop, we will immerse ourselves in the environment of metal parts manufacturing that underpins the Bahrain’s HVAC and air conditioning industries. We will study, analyze, and map the Awal Group’s operations, material sources and waste streams. Offcuts from the manufacturing of ducts and HVAC systems will form a palette of materials that we will upcycle through a series of fabrication exercises and design prototypes. Students will explore techniques including but not be limited to metal rolling, bending, casting, and punching. Digital algorithmic inventory matching tools, developed in the MIT ODDS & MODS material circularity curriculum, will help us design with the irregular archive of offcut materials and guide the fabrication process.

The results of the workshop will be showcased along the Pearling Path in Muharraq. During our time on the island, we will be engaging with local metal smelters and design studios, including Bahraini-Danish, Civil Architecture and Studio Anne Holtrop.

This course examines the challenges faced by the oasis agro-ecosystems, focusing on Tunisia's Nefzawa region as a case study and delves into the historical, environmental, and socio-economic factors at play in the region. By reviewing the literature, analyzing climate projections, and utilizing Earth observation data, students will learn about the unsustainable use of natural resources, worsened by climate change and land/water dispossession processes.

The course will highlight pathways to resilience and alternative economic models centered on “commons” and “oasis connectivity.” We will identify ways to integrate/combine traditional low-tech commoning practices with modern technology to enhance community resilience and promote biodiversity, while seeking innovative approaches that go beyond simply preserving environmental and agricultural heritage.

Students will participate in scenario-building exercises for the Nefzawa oases, drawing insights applicable to broader urban areas across the Arab world, many of which are projected to become uninhabitable by the end of the century. The course will emphasize social and climate justice as essential components of sustainable futures, positioning design as a tool for societal transformation and collective action.

In this interdisciplinary setting, that bridges humanities and STEM fields, students will critically assess the balance between innovation and remembrance in design. They will explore how these unique eco-social landscapes can inform broader decolonial frameworks in architecture, urban planning, and design, addressing urgent challenges like climate change, resource scarcity, and socio-economic inequality. In this studio, we will delve into the dual narratives of the heavenly aspects and imaginaries of oases while confronting the harsh realities of plunder, drought, and ecological destruction.

Advance sign-up required by 1/15/2025

Sites are often represented as static, empty plots of land. In reality, every site is an environment—an interconnected system shaped by ecological, cultural, and material relationships. These environments extend vertically into the sky, horizontally through soil and ecosystems, and inward to unseen processes such as microorganisms and material histories. How can experimental drawing and representation techniques reveal these complexities and reshape the way we design? 

This workshop invites participants to reimagine sites as living systems and engage in collaborative design practices. Focusing on a local, seemingly vacant lot, we will investigate the site’s temporal and spatial dynamics—tracing its layers of interaction and exploring how elements and materials influence its identity. By reframing traditional notions of scale and boundaries, we will uncover the opportunities of co-authorship amongst the environments, forces and creatures. 

The Wiesner Gallery will act as a hub for both a workshop and exhibition space. Each day, participants will gather in the gallery to experiment with prototypes, drawings, and multimedia techniques. Collaboration and play will guide the approach, creating an open and exploratory environment where games facilitate dialogue and negotiation. This collective exploration will reveal the site’s interconnected urban and architectural layers from the perspectives of diverse actors. The workshop will culminate in a public exhibition at the end of January, showcasing our collective discoveries.

The workshop will take place daily at the Wiesner Gallery at MIT. It will culminate in an exhibition, likely Jan-31-Feb 2. Students should bring their laptops to all sessions.

Students in teams accepted to the MITdesignX accelerator begin work on their ventures in this intense two-week bootcamp. Participants identify the needs and problems that demonstrate the demand for their innovative technology, policy, products, and/or services. They research and investigate various markets and stakeholders pertinent to their ventures, and begin to test their ideas and thesis in real-world interviews and interactions. Subject presented in workshop format, giving teams the chance to jump-start their ventures together with a cohort of people working on ideas that span the realm of design, planning real estate, and the human environment.

This course explores the concept of resilient aging in the built environment, addressing two interconnected dimensions: the aging of people and the aging of cities and buildings that no longer meet contemporary needs. By reframing aging as both a challenge and an opportunity, the course examines strategies to understand, intervene in, and transform the built environment to better support evolving societal needs. Rather than relying solely on top-down design and planning approaches, this class emphasizes bottom-up interventions and participatory design methods to understand and engage vulnerable populations. The course approaches aging through three interrelated topics: the adaptive reuse and activation of aging urban infrastructure, the retrofitting of aging suburbs through innovative housing and real estate models, and the application of advanced urban technologies to analyze and understand resident behavior in aging and informal settlements. These topics aim to provide students with the knowledge and tools to reimagine the built environment, fostering resilience and equity for aging populations and the spaces they inhabit. The first half of each session will be lectures, providing foundational knowledge and sharing related research works, while the second half will be dedicated to discussions, allowing students to engage with the materials and collaborate on the topics.

Technology is vital for local governments to deliver services. But when technologists "move fast and break things" in the public sector, systems fail and people suffer. Governments must responsibly innovate and integrate ideas from the private sector, while safeguarding the public interest. This seminar examines how local governments and the tech sector can collaborate to best serve their short and long-term shared goals.

Weekly class attendance and site visits are mandatory for this course. Weekend volunteer days with the Common Good Co-Operatives will provide hands-on opportunities for engaging the values of commoning, placemaking and placekeeping, and co-design and community participation.

This class represents the beginning of joint commitment with a community partner to develop a feasible plan for transforming a real-world site. Common Good Co-Operatives currently occupies seven parcels of land (0.5 acres) in the heart of Dorchester. Five of the seven land parcels that constitute the site of the Farm are owned by the City of Boston and are currently in agreement with Common Good Co-Operatives to be used as an agricultural site. In order to combat increasing development pressures, Common Good Co-Operatives want to solidify and increase its infrastructural capacity to facilitate community-based programming and economic development for the neighborhood. Working with Common Good Co-Operatives, this course will engage Architecture and Planning students to envision and plan expansive possibilities for the farm as a comprehensive farming system that can support, among others, essential workforce development and readiness programs, small-business incubation, co-op services, and community empowerment.

At the end of the first semester of work, students will produce a comprehensive document (diagrams of processes, design principles, historical analysis, architectural drawings and diagrams) that outlines the possibilities and opportunities on this site. Non-design students will produce as a final assignment a guide for non-profits on the history of zoning in Boston and how to navigate a zoning change for common use. Students will present to the City of Boston a plan for rezoning, establishing land tenure, and possibilities for Common Good.

Undergraduates welcome.

Clients, funding, consultants, contracts–architects are enmeshed in financial mechanisms that forever remind us of our direct reliance on local and global economies. Money talks and architecture follows: our work articulating the interests of those served while fluctuating with the rapidity of the market. And while this relationship may be fixed, perhaps we can find ways to resist its normative logics, which exacerbate social inequalities and consolidate power in the hands of the few and the privileged. This workshop will explore alternative economies and financial arrangements to find ways to re-code capitalism’s tendencies, desires, and outcomes. We’ll draw from a range of writing–from queer theory to post-colonial studies to literary criticism–to undo dominant financial orientations.

We will ask whether in addition to designing architecture, we can also design the market that demands architecture–to produce economic scenarios under which we might build. Each week we will pair readings in economic anthropology (studying how economies are shaped by behavior, cultural values, and social relationships), texts from other disciplines, and case-studies to invent atypical demand-chains, work against models of optimal performance, and instrumentalize culture to undercut efficiency. We will look at how we might produce clients, programs, and actor networks rather than responding to the whims of the market. We will consider how we might think of economic arrangements as tools for designers.

Each week, students are asked to produce a written response to the reading and to help guide discussion, researching and exploring examples and references to ground our work. The task is to produce a collective and cumulative body of knowledge. Together, we will read, write, and compile a compendium of research for a publication on the topic. Students are encouraged to find broad reaching examples–from the domestication of post-war military technology to the proliferation of sharing economies to recent trends in reuse and the circulation of materials and everything in between. We will focus on buildings, materials, and products, largely drawn from North America in the 20th and 21st centuries but may also look further afield. The course will focus on real examples of immaterial and material phenomena, inventing new languages and representational strategies along the way.

Undergraduates welcome.

In his essay, “The Task of the Translator,” Walter Benjamin writes: “it is the task of the translator to release in his own language that pure language that is under the spell of another, to liberate the language imprisoned in a work in his re-creation of that work.” The same can be said of the artist who must give an idea visual form: form beholden to the syntactic constraints of whatever shape it must materialize in, whether as a series of marks etched into stone, a block of text living in the codex, or a pixel activated on a screen. How does the grammar behind tool and substrate set the rules for translation? When do these translations fail, and why—and what do those failures generate instead? How can translations, good and bad, productively challenge an idea’s core?

Part visual language study/seminar, part workshop, this class will examine translation as method and practice for visual experimentation. The course will start by examining typographic printing history, where students will gain knowledge of the various technological precedents for fixing forms of language. Students can also expect to experiment with calligraphic form, modular alphabets, notational conventions, musical transposition, and image-to-text as well as text-to-image translations. These experiments will be supplemented with guest visits from artists, writers, and technologists, as well as references of theoretical writings from Walter Benjamin, Elizabeth Eisenstein, Albrecht Dürer, Donald Knuth, Louis Lüthi, Hito Steyerl, Byung-Chul Han, Édouard Glissant, and Theresa Hak Kyung Cha, among others. By the end of the term, each student will have researched a specific topic of translation and developed it through a publication, broadly defined.

Undergraduates, especially those who are interested in visual language and history, are welcome!