4.368
4.369

Studio Seminar in Art and the Public Sphere

UG: 4.368; G: 4.369

Focuses on the production of artistic interventions in public space. Explores ideas, situations, objects, and materials that shape public space and inform the notion of public and publicness, with an emphasis on co-production and cooperative ethics. Examines forms of environmental art in comparison to temporal and critical forms of art and action in the public sphere. Historical models include the Russian Constructivists, the Situationists International, system aesthetics, participatory and conceptual art, contemporary interventionist tactics and artistic strategies, and methods of public engagement. Students develop an initial concept for a publicly-situated project. Includes guest lectures, visiting artist presentations, and optional field trips.

Additional work required of students taking graduate version. 

4.368/4.369 Syllabus (MIT Certificate protected)

Spring
2024
3-3-6
U/G
3-3-3
G
Schedule
MW 9:30-12:30
Location
E15-207
Prerequisites
UG: 4.301 or 4.302; 4.307; 4.312 or permission of instructor; G: 4.307; 4.312 or permission of instructor
Restricted Elective
BSA
Enrollment
Limited to 12
HASS
A/E
Lab Fee
Per-term $75 fee after Add Date; SMACT students are exempt
Can Be Repeated for Credit
No
4.359

Synchronizations of Senses

Focused on the practices of varied practitioners — film directors, artists, musicians, composers, architects, designers — whose writings relay a process of thinking and feeling integral to their forms of material production. Testing various ways aesthetic forms and their shifts — historic and contemporary — have relations to still emerging contemporary subjectivities (felt emotion in a human body), the class studies productions created by participants and case studies of varied producers, and generates new work individually and/or collaboratively via diverse media explorations. Includes reading, writing, drawing, and publishing, as well as photographic, cinematic, spatial, and audio operations and productions. Activities include screenings, listening assignments, and guest visits, in addition to readings, discussions, and presentations.

4.359 Syllabus (MIT Certificate protected)

Spring
2024
3-0-6
G
Schedule
M 9:30-12:30
Location
E15-283A
Enrollment
Limited to 12
Lab Fee
Per-term $75 fee after Add Date; SMACT students are exempt
Can Be Repeated for Credit
No
4.341
4.342

Introduction to Photography and Related Media

4.341 U / 4.342 G

Introduces history and contemporary practices in artistic photography through projects, lectures, artist visits, group discussions, readings, and field trips. Fosters visual literacy and aesthetic appreciation of photography/digital imaging, as well as critical awareness of how images in our culture are produced and constructed. Provides instruction in the fundamentals of different camera formats, film exposure and development, lighting, black and white darkroom printing, and digital imaging. Assignments allow for incorporation of a range of traditional and experimental techniques, development of technical skills, and personal exploration. Throughout the term, present and discuss projects in a critical forum. 

Additional work required of students taking the graduate version.

Note: section taught by Ryan Aasen is digital photography only

Syllabi (MIT Certificate protected):

Spring
2024
3-3-6
U
3-3-3
G
Schedule
Sec. 1: MW 2-5
Sec. 2: TR 9:30-12:30
Sec. 3: MW 9:30-12:30
Location
E15-054
Prerequisites
permission of instructor
Restricted Elective
BSA, BSAD, D minor
Enrollment
Limited to 20
HASS
A/E
Lab Fee
Per-term $75 fee after Add Date; SMACT students are exempt
Can Be Repeated for Credit
No
4.314
4.315

Advanced Workshop in Artistic Practice and Transdisciplinary Research

4.314 U / 4.315 G

Examines artistic practice as a form of critical inquiry and knowledge production. Offers opportunity to develop art as a means for addressing the social, cultural, and ecological consequences of technology, to build bridges between industry and culture, and to challenge the boundaries between public and private, and human and non-human. Provides instruction in evaluating models of experimentation, individual research, and collaboration with other disciplines in the arts, culture, science, and technology. Supports the development of individual and collective artistic research projects. 

Additional work required of students taking the graduate version.

Matej Vakula
Fall
3-3-6
U
3-3-3
G
Schedule
TR 2-5
Location
TBA
Prerequisites
4.301 or 4.302 or permission of instructor
Restricted Elective
Architecture minor
Enrollment
Limited to 20
HASS
A/E
Lab Fee
Per-term $75 fee after Add Date; SMACT students are exempt
Can Be Repeated for Credit
No
4.302

Foundations in Art, Design and Spatial Practices

Develops an introductory foundation in artistic practice and its critical analysis, and develops artistic approaches and methods by drawing analogies to architectural thinking, urbanism, and design practice. Covers how to communicate ideas and experiences on different scales and through two-dimensional, three-dimensional, and time-based media in new genres. Uses artistic methods that engage the public realm through spatial, sculptural, performative, and process-oriented practices. Instruction components include video screenings, guest lectures, visiting artist presentations, and field trips. Instruction and practice in written and oral communication provided.

Spring
2024
3-3-6
U
Schedule
TR 9:30-12:30
Location
E15-207
Prerequisites
4.021 or 4.02A
Required Of
BSA, BSAD, D Minor; restricted elective for A Minor
Enrollment
Limited to 20
Preference Given To
Course 4 majors and minors
Lab Fee
Per-term $75 fee after Add Date; SMACT students are exempt
Can Be Repeated for Credit
No
4.s38

Special Subject: Art, Culture, and Technology — Transversal Design (Half-term H2)

Cancelled

Note: This an H2 half-term subject that meets October 23-December 13.

How do we design in a way that is responsive, ethical, and impactful? The age of changes and crises calls for Transversal Design, a new methodology that blends the essence of ethics, critical artistic theories and DesignX’s transdisciplinary principles, allowing you to navigate the complexities and make tangible impact. This class initiates a collaboration between ACT and the Morningside Academy of Design through the DesignX.

Students engage with a transdisciplinary ensemble of influential speakers.

The hands-on course allow students to innovate and experiment a social impact design solution of their interest with a capstone project.

Dinner provided.

Undergraduates welcome.

Svafa Gronfeldt
Yvette Man-yi Kong
Fall
2023
TBA
G
Schedule
W 6-9
Location
TBA
Enrollment
Limited to 20
Preference Given To
MArch, SMArchS, BSA, BSAD
Lab Fee
Per-term $75 fee after Add Date; SMACT students are exempt
Can Be Repeated for Credit
Yes
4.s36

Special Subject: Art, Culture, and Technology — Transversal Design for Social Impact (Half-term H1)

While design is frequently deployed as a problem-solving instrument, it can unintentionally result in ethical dilemmas and unanticipated outcomes. This course uniquely combines the critical lens of art with the transdisciplinary framework of DesignX, promoting introspection and thoughtful deliberation before diving into design solutions. This class initiates a collaboration between ACT and the Morningside Academy of Design through DesignX. Students engage with a transdisciplinary ensemble of influential speakers. The lecture series also allow students to innovate and explore a social impact design. Undergraduates are welcome. 

4.s36 Syllabus (MIT Certificate Protected)

Yvette Man-yi Kong
Fall
2023
3-0-3
G
Schedule
W 6-9
Location
E15-283a & E15-207
Enrollment
Limited to 20
Preference Given To
MArch, SMArchS, BSA, BSAD
Lab Fee
Per-term $75 fee after Add Date; SMACT students are exempt
Can Be Repeated for Credit
Yes