Classes

Utopias, Camps, and the Architecture of War, is proposed as a research- design workshop that examines the layered histories of Terezín as a way to think critically about how architecture participates in the making of trauma, memory, and recovery. Conceived as a fortified utopian city and later transformed into a Nazi transport camp, Terezín embodies the shifting functions of urban space and architecture as both agent and witness. Its bastions, mounds, and urban fabric are not merely remnants but active carriers of political and historical meaning. By tracing the trajectory from fortification to camp, from architecture of war to the ongoing dilemmas of inhabitation, memorialization, restoration and reconstruction, this workshop foregrounds the ethical and epistemological challenges of engaging with sites where architecture itself was complicit in violence.

This workshop class is offered as collaborative project together with: Czech Technical University in Prague, Czech Republic (lead by Veronika Sindlerova); TU Liberec, Czech Republic (lead by Radek Kolarik,  Iva Dvorakova) TU Dresden, Germany (lead by Angela Mensing-de Jong); Technion -Israel Institute of Technology, Haifa, Israel (lead by Eliyahu Keller, Aaron Sprecher).

The class will sponsor (flights & accommodation) a trip to the Czech Republic to take place between October 7/8 – 14, 2026 (exact dates tbc), including participation in a conference and exhibition in Terezin during Oct. 12-13,  of ongoing studies undertaken on this subject by our collaborating universities. During this trip the MIT class will interact with students from all the collaborating schools mentioned above and work together with the students & researchers from the Technion in conducting field research, developing narratives, and learning first-hand the physical and historical conditions that have shaped the town of Terezin. 

This course uses the Mediterranean Sea as a framework for exploring early modern cities under Islamic and Christian rule. We look at key cities – Venice, Istanbul, Aleppo, Granada, Rabat-Salé, and others – tracing contacts between them, and discovering parallels and differences in urban form and architecture. Themes include dialogues with antiquity; religious complexes as urban design; social life and public space; trade and commerce; impacts of disasters and diasporas. We also consider wider global connections such as the intertwined histories of coffee, sugar, and slaves.

Note for MArch students: Serves as an HTC Non-Restricted OR Restricted Elective for Fall 2026

MIT Certificate-Protected Syllabus

A critical introduction to Islamic heritage in Spain, focusing on key surviving monuments and their complex, often contested afterlives. Each provides a window onto the dynasty that built it, with a range of ideological agendas, construction techniques, and mnemonic devices that track across the Mediterranean from Syria, Palestine, the Maghrib, and beyond. Along with North African exemplars, these structures represent a unique, western Islamic idiom that had a lasting impact on Spanish architecture.

Following defeat of the Nasrid kingdom of Granada in 1492, Islam was gradually banished from the peninsula – yet these monuments survived, openly or in disguise. Their transformations tell intriguing stories about Spaniards’ evolving views of the Islamic past. In this course we supplement historical sources, studies and building/site analysis with theoretical readings on time, memory, and agency in architecture. We explore hybrid methodologies for overcoming archival silences and teasing out new narratives, using the building as the primary text.

Note for MArch students: Serves as an HTC Non-Restricted OR Restricted Elective for Fall 2026

MIT Certificate-Protected Syllabus

Class coordination for the MArch thesis cohort presenting reviews in the fall term. 

Designed for students writing a thesis in Urban Studies and Planning or Architecture. Develop research topics, review relevant research and scholarship, frame research questions and arguments, choose an appropriate methodology for analysis, and draft introductory and methodology sections.

Program of thesis research leading to the writing of an SB thesis. Intended for seniors. Twelve units recommended.

Research and project activities, which cover the range represented by the various research interests and projects in the Department.

Research and project activities, which cover the range represented by the various research interests and projects in the department. Students who wish a letter grade option for their work must register for 4.URG.

How do you go from a moment of obligation to starting or accelerating a movement?

This course explores the difference between innovation, social innovation, and systems change for social impact. Students interested in navigating complex environmental and social problems will explore frameworks and case studies from real systems change innovators to develop a more comprehensive view of complex problems and the systems they are part of —systems that often keep those problems in place.

In the course, you will apply experiential tools and methods to interrogate your own call to action, strengths, and gaps to address complex problems or needs. You will gain an understanding of the importance of understanding problems from the impact target’s perspective and explore innovative ways to create a scalable movement that ultimately can change a system. The final deliverable from the course is writing a case study on system change based on detailed actor mapping and interviews where you share your deeper understanding of a system you care about.

H1 Half Term subject

How can you build a creative practice that is adaptive, impactful, and future-ready?

This lecture-and-lab course equips students in design, arts, and cultural fields with tools and strategies for viable professional practice. You will engage with cultural economics and management, international frameworks, and practical tools such as business models, market positioning, branding, and intellectual property protection, applying them to your own work through structured exercises. Labs explore crossovers—ways creative practice can generate value and drive innovation in society and industry—developing experimental propositions for real-world applications.

You may enter with a professional direction in mind, although it is not required. The labs are designed to allow new directions and value propositions to emerge. The course fosters reflection and equips students to create professional offerings through a value-based understanding of cultural and creative production while identifying market opportunities with positive human impact. Final presentations consolidate learning into professional outputs with potential for incubation.

Design+ is a first-year undergraduate advising seminar made up of approximately 30 first-year undergraduate students, 4 faculty advisors, and 4 or more undergraduate associate advisors.

The academic program is flexible to account for diverse student interests within the field of design, and students work with advisors to select a mix of academic and experiential opportunities.

Design+ assists incoming first-year students in their exploration of possibilities in design across MIT. 

Design+ includes a dedicated study space, kitchen, lounge, and a variety of maker spaces which offer Design+ students a second campus home for making and braking.

Design+ introduces first year undergraduate students to opportunities 
Design+ around design such as internships, international travel, and 
Design+ UROPs with some of the most exciting design labs at MIT

For registration and other administrative questions contact The Office of the First Year.