“[I]t has seemed to me that two questions we should ask of any strong landscape are these: firstly, what do I know when I’m in this place that I can know nowhere else? And then, vainly, questions frame our exploration of the urban form. By walking the city, studying historical and contemporary approaches to life on the streets, and investigating our relationship to our environs through writing and other artistic responses, participants will explore how feet give form to the city.

Introduces methods for observing, interpreting, and representing the urban environment. Students draw on their senses and develop their ability to deduce, question, and test conclusions about how the built environment is designed, used, and valued. The interrelationship of built form, circulation networks, open space, and natural systems are a key focus. Supplements existing classes that cover theory and history of city design and urban planning and prepares students without design backgrounds with the fundamentals of physical planning. Intended as a foundation for 11.329.

Research and project activities, which cover the range represented by the various research interests and projects in the Department.

Research and project activities, which cover the range represented by the various research interests and projects in the department. Students who wish a letter grade option for their work must register for 4.URG.

Are you aspiring to thrive as an independent creative professional or to launch your creative practice?

The creative industries serve as catalysts for economic growth and cultural enrichment, driving innovation, talent development, and shaping societal perceptions. Spanning the arts, architecture and design, media, urban development, and more, they impact every aspect of our lives.

This half-semester course offers prospective professionals in creative disciplines fundamental tools and strategies for building their careers as independent professionals or small business owners. Creating a sustainable business in the creative and cultural sectors requires a balance between meeting market needs, maintaining creative freedom, and offering resource-based and market-oriented products or services.

In this course, students will: A) Gain an understanding of key theoretical concepts and practical applications through real-world case studies, enabling them to launch and manage creative micro-ventures; B) Explore relevant business models within the creative industries and learn skills needed to adapt and thrive in various market landscapes; C) Learn how to navigate the complexities of the creative economy and design an impactful creative career.

How do you go from a moment of obligation to starting or accelerating a movement?

This course explores the difference between innovation, social innovation, and systems change for social impact. Students interested in navigating complex environmental and social problems will explore frameworks and case studies from real systems change innovators to develop a more comprehensive view of complex problems and the systems they are part of —systems that often keep those problems in place.

In the course, you will apply experiential tools and methods to interrogate your own call to action, strengths, and gaps to address complex problems or needs. You will gain an understanding of the importance of understanding problems from the impact target’s perspective and explore innovative ways to create a scalable movement that ultimately can change a system. The final deliverable from the course is writing a case study on system change based on detailed actor mapping and interviews where you share your deeper understanding of a system you care about.
 

Design+ is a first-year undergraduate advising seminar made up of approximately 30 first-year undergraduate students, 4 faculty advisors, and 4 or more undergraduate associate advisors.

The academic program is flexible to account for diverse student interests within the field of design, and students work with advisors to select a mix of academic and experiential opportunities.

Design+ assists incoming first-year students in their exploration of possibilities in design across MIT. 

Design+ includes a dedicated study space, kitchen, lounge, and a variety of maker spaces which offer Design+ students a second campus home for making and braking.

Design+ introduces first year undergraduate students to opportunities 
Design+ around design such as internships, international travel, and 
Design+ UROPs with some of the most exciting design labs at MIT

For registration and other administrative questions contact The Office of the First Year.

Design+ is a first-year undergraduate advising seminar made up of approximately 30 first-year undergraduate students, 4 faculty advisors, and 4 or more undergraduate associate advisors.

The academic program is flexible to account for diverse student interests within the field of design, and students work with advisors to select a mix of academic and experiential opportunities.

Design+ assists incoming first-year students in their exploration of possibilities in design across MIT. 

Design+ includes a dedicated study space, kitchen, lounge, and a variety of maker spaces which offer Design+ students a second campus home for making and braking.

Design+ introduces first year undergraduate students to opportunities 
Design+ around design such as internships, international travel, and 
Design+ UROPs with some of the most exciting design labs at MIT

For registration and other administrative questions contact The Office of the First Year.

Note: Computation students now register for 4.588 instead of 4.288

Students select thesis topic, define method of approach, and prepare thesis proposal for SMArchS degree. Faculty supervision on an individual or group basis. Intended for SMArchS program students prior to registration for 4.THG.