4.s37 UG | 4.s33 G

This is an incredible opportunity to dive into the basics of biomimicry and natural algorithms in computational design and artificial life. Prior programming or modeling software experience is not needed. Advanced folks will be accommodated on an individual project-based track. Students learn about the cultural and visual implications of automation and biotechnological advancements driven by computational technology, exploring their aesthetic significance through the analysis of data and algorithms.  

This course is designed as a beginner's guide to ethical solutions to design problems in computational design and data concerning nature through visualization and art. It is structured to be accessible and considerate of the broader impact of design decisions on communities, society, and culture. Students will receive a low-level, beginner-friendly introduction to the basics of data visualization in processing and Python, biomimicry, agent-based systems in Grasshopper visual coding, and C# and animation in Maya.

• Learning Objectives/Pedagogy:
• Understand the historical context and evolution of data visualization, biomimicry, and Artificial life as an art form.
• Explore the ethical considerations and social implications of data visualization, biomimicry, and Artificial life.
• Acquire practical skills and techniques for creating bio-inspired artworks.
• Engage in critical discussions on the intersection of art and biology.
• Collaborate with peers to develop innovative data-based projects.
• Analyze and interpret databases from various perspectives.
• Develop a strong foundation for future research in data visualization, biomimicry, and Artificial life.

This course investigates the interdisciplinary and generative possibilities of publication, emphasizing its role as a practice of expanding public engagement and imagination. Throughout the semester, students will explore worldmaking strategies, speculative fiction and an array of publication methods ranging from traditional techniques—leveraging ACT and MIT’s extensive resources such as riso printing, book binding and maker labs—to experimental approaches in digital media, performance, political systems, architecture, contemporary art, design and AI.Specific expectations and/or deliverable product resulting from course.

UG: 4.641 | G: 4.644

Investigation of visual culture in the nineteenth century with an emphasis on Western Europe, the United States, and Japan. Topics include art and industry, artists and urban experience, empire and its image, and artistic responses to new technologies from the telegraph to the steam engine to the great refractor telescope. Strikes a balance between historical and contemporary critical perspectives to assess art's engagement with the social and political experience of modernity.

Additional work required of students taking the graduate version.

UG: 4.354; G: 4.355

Examines the technical and conceptual variables and strategies inherent in contemporary video art practice. Analyzes structural concepts of time, space, perspective, and sound within the art form. Building upon the historical legacy of the moving the image, students render self-exploration, performance, social critique, and manipulation of raw experience into an aesthetic form. Emphasizes practical knowledge of lighting, video capturing and editing, and montage. Presentation and critique of student work, technical workshops, screenings, and reading discussions assist students with final project.

Additional work required of students taking the graduate version. 

In an AI-enhanced future, humans will become better at everything. The machine targets real-world artificial intelligence challenges designed to help address issues related to climate change, and urbanization in cities. X Machine is a mini accelerator workshop course designed to unite computer science and design/architecture together to design and create innovative and impactful technological solutions to problems in the built and human environment. This half-semester course promotes the development of strategic thinking and technical exploration in the realm of AI, focusing on problem framing and early-stage ideation.

The course will allow students to develop a foundational knowledge of AI within an interdisciplinary context. Students will learn how to design and create a prototype, learn how to maximize their engagement with their users/customers, and learn how to determine the value proposition that will make an AI-empowered startup successful. By the end of this class, students will be able to develop a conceptual business plan for an AI-based technology solution and apply to other programs at MIT such as DesignX, Sandbox, Delta V, The Engine, and more. 

How can you build your own creative practice in today’s international landscape—one that is sustainable, leverages innovation, and contributes meaningfully to the future of the cultural and creative sectors?

This half-semester course offers you, as a student in the arts, cultural, and creative fields, fundamental tools and strategies for designing your career as an independent professional or studio founder.

You will:

A) Develop an understanding of the international framework of institutions, relationships, and policies that support professionals aiming to create impact through their creative practice—and learn how this knowledge can help you shape offerings that stand out and create a competitive advantage.
B) Learn concepts and mechanisms commonly found in the economics of art and culture, and explore how critical issues can be transformed into strategic opportunities.
C) Examine the diverse types of value generated by cultural production, discover how to combine them into distinctive offerings, and effectively communicate and market your work. You’ll also study business models within the creative industries and develop the adaptability to navigate evolving markets.
D) Acquire practical skills in branding, legal business structures, and intellectual property—enabling you to protect and leverage your creative output while building a sustainable professional practice.
 

How do you go from a moment of obligation to starting or accelerating a movement?

This course explores the difference between innovation, social innovation, and systems change for social impact. Students interested in navigating complex environmental and social problems will explore frameworks and case studies from real systems change innovators to develop a more comprehensive view of complex problems and the systems they are part of —systems that often keep those problems in place.

In the course, you will apply experiential tools and methods to interrogate your own call to action, strengths, and gaps to address complex problems or needs. You will gain an understanding of the importance of understanding problems from the impact target’s perspective and explore innovative ways to create a scalable movement that ultimately can change a system. The final deliverable from the course is writing a case study on system change based on detailed actor mapping and interviews where you share your deeper understanding of a system you care about.

4.341 U / 4.342 G

Introduces history and contemporary practices in artistic photography through projects, lectures, artist visits, group discussions, readings, and field trips. Fosters visual literacy and aesthetic appreciation of photography/digital imaging, as well as critical awareness of how images in our culture are produced and constructed. Provides instruction in the fundamentals of different camera formats, film exposure and development, lighting, black and white darkroom printing, and digital imaging. Assignments allow for incorporation of a range of traditional and experimental techniques, development of technical skills, and personal exploration. Throughout the term, present and discuss projects in a critical forum. 

Additional work required of students taking the graduate version. 

Examines artistic practice as a form of critical inquiry and knowledge production. Offers opportunity to develop art as a means for addressing the social, cultural, and ecological consequences of technology, to build bridges between industry and culture, and to challenge the boundaries between public and private, and human and non-human. Provides instruction in evaluating models of experimentation, individual research, and collaboration with other disciplines in the arts, culture, science, and technology. Supports the development of individual and collective artistic research projects. 

Additional work required of students taking the graduate version. 

Combines the critical lens of art with the innovation framework of DesignX, promoting introspection and deliberation before diving into thoughtful design interventions. Initiates a transdisciplinary collaboration between ACT and the Morningside Academy for Design through DesignX. Students design and present visual representations on the social impact area on which they choose to innovate and explore. 

Undergraduates welcome.