Focuses on producing a small series of manufactured products. Students develop products that address specific user needs, propose novel design concepts, iteratively prototype, test functionality, and ultimately exhibit their work in a retail context. Stemming from new research and technological developments around MIT, students try to imagine the future products that emerge from new materials and machine intelligence. Provides an in-depth exploration of the design and manufacturing of products, through narrative, form, function, fabrication, and their relationship to customers. 

Introduces the tools, techniques and technologies of design across a range of projects in a studio environment. Explores concepts related to form, function, materials, tools, and physical environments through project-based exercises. Develops familiarity with design process, critical observation, and the translation of design concepts into digital and physical reality. Utilizing traditional and contemporary techniques and tools, faculty across various design disciplines expose students to a unique cross-section of inquiry.

How do we design places that reflect and elicit joy? How about places that allow us to acknowledge or express grief? We will examine the role of care in architecture and design and how it finds expression through joy and grief as expressed by interventions in public space. We will look at memorials, playgrounds, parks, promenades, and a variety of places of gathering and solitude. Students will be invited to engage with essayists, poets, artists, psychologists, and musicians—some of whom will be guests—along with urban planners and architects; expect to read Zadie Smith, Carolina Miranda, Alexandra Lange, Layli Long Soldier, Edwidge Danticat, and Rita Dove, and to look at the work of Roy DeCarava, Tyler Mitchell, LaToya Ruby Frazier, Felandus Thames, David Adjaye, Rachel Whiterhead, Tadao Ando, Kara Walker, and others. Students will be invited to design a public space that invites joy and (or?) another that wrestles with grief. (No prior design experience necessary).

Introduces fundamental design principles as a way to demystify design and provide a basic introduction to all aspects of the process. Stimulates creativity, abstract thinking, representation, iteration, and design development. Equips students with skills to have more effective communication with designers, and develops their ability to apply the foundations of design to any discipline.

Builds on Core I skills and expands the constraints of the architectural problem to include issues of urban site logistics, cultural and programmatic material (inhabitation and human factors), and long span structures. Two related projects introduce a range of disciplinary issues, such as working with precedents, site, sectional and spatial proposition of the building, and the performance of the outer envelope. Emphasizes the clarity of intentions and the development of appropriate architectural and representational solutions.