Introduces fundamental design principles as a way to demystify design and provide a basic introduction to all aspects of the process. Stimulates creativity, abstract thinking, representation, iteration, and design development. Equips students with skills to have more effective communication with designers, and develops their ability to apply the foundations of design to any discipline.

UG: 4.635 | Grad: 4.634

Presents a history, from the 14th through the early 17th century, of architectural practice and design, as well as visual culture in Europe with an emphasis on Italy. Topics include the production and reception of buildings and artworks; the significance of a reinvigorated interest in antiquity; and representation of the individual, the state, and other institutions.Examines a variety of interpretive methods. 

Graduate students are expected to complete additional assignments.

Introduces artistic practice and critical visual thinking through three studio-based projects using different scales and media, for instance, "Body Extension," "Shaping Time," "Public Making," and/or "Networked Cultures." Each project concludes with a final presentation and critique. Students explore sculptural, architectural, performative artistic methods; video and sound art; site interventions and strategies for artistic engagement in the public realm. Lectures, screenings, guest presentations, field trips, readings, and debates supplement studio practice. Also introduces students to the historic, cultural, and environmental forces affecting both the development of an artistic vision and the reception of a work of art.

This course offers a wide review of the history of Islamic architecture, tracing fifteen centuries of development across three continents — Asia, Africa, and Europe. Beginning with the House of the Prophet in Medina in the 7th century and culminating with the skyline of contemporary Dubai, the course presents architecture as both a material record and a cultural expression of the historical conditions in which Islam was formed, practiced, and continually reinterpreted.

Each session centers on a city, monument, or building type, while keeping sight of the larger narrative that links diverse regions and periods into a coherent story.  Lectures analyze form, construction techniques, materials, style, ornament, and decoration, as well as the social, religious, political, and cultural frameworks that shaped architectural production.  Particular emphasis is placed on the role of patronage and on the ways architecture served as a stage for identity, power, and community.

Cross-cultural exchanges are examined throughout, from the absorption of Late Antique traditions in early Islam to encounters with the West during the colonial and postcolonial eras. The course concludes by exploring the revival and reinvention of Islamic architecture in the modern age of nation-building, globalization, and rapid urban development.

4.603 UG / 4.604 G

Examines modern architecture, art, and design in the context of the political, economic, aesthetic, and cultural changes that occurred in the twentieth century. Presents foundational debates about social and technological aspects of modern architecture and the continuation of those debates into contemporary architecture. Incorporates varied techniques of historical and theoretical analysis to interpret exemplary objects, buildings, and cities of modernity.

Additional work required of students taking the graduate version.

Introduces fundamental design principles as a way to demystify design and provide a basic introduction to all aspects of the process. Stimulates creativity, abstract thinking, representation, iteration, and design development. Equips students with skills to have more effective communication with designers, and develops their ability to apply the foundations of design to any discipline.

2/18/26: room for Friday recitation changed to 3-442

Examines themes in the history of design, with emphasis on Euro-American theory and practice in their global contexts. Addresses the historical design of communications, objects, and environments as meaningful processes of decision-making, adaptation, and innovation. Critically assesses the dynamic interaction of design with politics, economics, technology, and culture in the past and at present. 

MIT Certificate Protected Syllabus
 

Examines themes in the history of design, with emphasis on Euro-American theory and practice in their global contexts. Addresses the historical design of communications, objects, and environments as meaningful processes of decision-making, adaptation, and innovation. Critically assesses the dynamic interaction of design with politics, economics, technology, and culture in the past and at present. 

Introduces fundamental design principles as a way to demystify design and provide a basic introduction to all aspects of the process. Stimulates creativity, abstract thinking, representation, iteration, and design development. Equips students with skills to have more effective communication with designers, and develops their ability to apply the foundations of design to any discipline.

Introduces fundamental design principles as a way to demystify design and provide a basic introduction to all aspects of the process. Stimulates creativity, abstract thinking, representation, iteration, and design development. Equips students with skills to have more effective communication with designers, and develops their ability to apply the foundations of design to any discipline.