Studies theoretical and historiographical works pertaining to the fields of art and architectural history. Members of seminar pursue work designed to examine their own presuppositions and methods.

Seminar on a selected topic in critical theory. Requires original research and presentation of oral and written report.

Seminar on the politics of representation with special focus on Orientalist traditions in architecture, art, literature, and scholarship. Critically analyzes pivotal texts, projects, and artworks that reflect the encounters between the West and the Orient from Antiquity to the present. Discusses how political, ideological, and religious attitudes inform the construction and reproduction of Western knowledge about the Islamic world. Research paper required. Open to qualified undergraduates. 

Examines the history of Islamic architecture spanning fifteen centuries on three continents – Asia, Africa, Europe. Students study representative examples from the 7th century House of the Prophet to the current high-rises of Dubai, in conjunction with their religious, urban, social, political, and intellectual environments. Crosscultural exchanges are highlighted from late Antique Arabia down to the interaction with the West in the age of colonialism and the consequent revival of Islamic architecture today. 

4.603 UG / 4.604 G

Examines modern architecture, art, and design in the context of the political, economic, aesthetic, and cultural changes that occurred in the twentieth century. Presents foundational debates about social and technological aspects of modern architecture and the continuation of those debates into contemporary architecture. Incorporates varied techniques of historical and theoretical analysis to interpret exemplary objects, buildings, and cities of modernity.

Additional work required of students taking the graduate version.

Introduction to the history and interpretation of western art in a global context that explores painting, graphic arts and sculpture from the 15th century to the present. Engages diverse methodological perspectives to examine changing conceptions of art and the artist, and to investigate the plural meaning of artworks within the larger contexts of culture and history.

Selection of thesis topic, definition of method of approach, and preparation of thesis proposal in computation. Independent study supplemented by individual conference with faculty.

Students select thesis topic, define method of approach, and prepare thesis proposal for SMArchS Computation degree. Faculty supervision on a group basis. Intended for SMArchS Computation program students, prior to registration for 4.ThG.

Group discussions and presentation of ongoing graduate student research in the Computation program.

4.581 Proseminar in Computation (G) / 4.582 Research Seminar in Computation (G)

Introduction to traditions of research in design and computation scholarship.

4.582 Research Seminar in Computation

In-depth presentations of current research in design and computation.