Classes

This edition of the class will be structured around four key debates: 1) the city and the urban, 2) spatial forms of the political, 3) world systems and urban economies, and 4) environmentalism. We will analyze these topics both cross-historically and cross-geographically, consistently moving between historical and contemporary urban formations.

The class will explore these four questions by examining the various artifacts and mechanisms that make up the urban environment (infrastructures, buildings, plans) and the spatial structures they generate. Throughout, we will consider cities as part of broader processes of territorial structuring, investigating how cities depend on these processes for their functioning while also contributing to their shaping.

The class debates will be complemented by an individual, semester-long design-research project, which will be discussed through presentations and dedicated workshops.

Note for MArch students: Serves as a HTC Non-Restricted OR Restricted Elective

Examines innovations in urban design practice occurring through the work of leading practitioners in the fields of architecture, landscape architecture, and urban planning. Features lectures by major national and global practitioners in urban design. Projects and topics vary based on term and speakers but may cover architectural urbanism, landscape and ecology, arts and culture, urban design regulation and planning agencies, and citywide and regional design. Focuses on analysis and synthesis of themes discussed in presentations and discussions.

Students continue to work in their venture teams to advance innovative ideas, products, and services oriented to design, planning, and the human environment. Presented in a workshop format with supplementary lectures. Teams are matched with external mentors for additional support in business and product development. At the end of the term, teams pitch their ventures to an audience from across the school and MIT, investors, industry, and cities. Registration limited to students accepted to the MITdesignX accelerator in the fall.

Examines ways that urban design contributes to distribution of political power and resources in cities. Investigates the nature of relations between built form and political purposes through close study of public and private sector design commissions and planning processes that have been clearly motivated by political pressures, as well as more tacit examples. Lectures and discussions focus on cases from both developed and developing countries.

Focuses on the synthesis of urban, mixed-use real estate projects, including the integration of physical design and programming with finance and marketing. Interdisciplinary student teams analyze how to maximize value across multiple dimensions in the process of preparing professional development proposals for sites in US cities and internationally. Reviews emerging real estate products and innovative developments to provide a foundation for studio work. Two major projects are interspersed with lectures and field trips. Integrates skills and knowledge in the MSRED program; also open to other students interested in real estate development by permission of the instructors.

This Site Planning practicum coincides with the 20th anniversary of Hurricane Katrina—a pivotal moment for New Orleans and for MIT’s Department of Urban Studies and Planning (DUSP). Over the past two decades, DUSP faculty, students, and alumni have supported the city’s recovery and resilience efforts through long-term partnerships and planning initiatives.

The studio will re-engage with New Orleans through the lens of corridor-scale resilience, focusing on how underrecognized neighborhood/commercial corridors can adapt to climate and social challenges such as heat, flooding, and energy vulnerability. Students will develop Corridor Resilience Action Plans for three areas, building on the 2016 New Orleans Main Street Resilience Plan, while exploring neighborhood connectivity and how urban design, equity, and identity intersect. 

Introduces critical theories and contemporary practices in the field of urbanism that challenge its paradigms and advance its future. Includes theoretical linkages between ideas about the cultures of urbanization, social and political processes of development, environmental tradeoffs of city making, and the potential of design disciplines to intervene to change the future of built forms. Events and lecture series co-organized by faculty and doctoral students further engage and inform research.

Students select thesis topic, define method of approach, and prepare thesis proposal for SMArchS degree. Faculty supervision on an individual or group basis. Intended for SMArchS program students prior to registration for 4.THG.

4.322 UG | 4.323 G

Explores three-dimensional art work, including sculptures and installations, from design to model to finished piece. Addresses challenges associated with design and fabrication, process, context, and relationships between objects, the body, and physical or cultural environments. Lectures, screenings, field trips, readings, and debates supplement studio practice. Additional work required of students taking the graduate version. Lab fee required. Limited to 20.

MIT Certificate-Protected Syllabus
 

4.341 UG | 4.342 G

Introduces history and contemporary practices in artistic photography through projects, lectures, artist visits, group discussions, readings, and field trips. Fosters visual literacy and aesthetic appreciation of photography/digital imaging, as well as critical awareness of how images in our culture are produced and constructed. Provides instruction in the fundamentals of different camera formats, film exposure and development, lighting, black and white darkroom printing, and digital imaging. Assignments allow for incorporation of a range of traditional and experimental techniques, development of technical skills, and personal exploration. Throughout the term, present and discuss projects in a critical forum. 

Additional work required of students taking the graduate version. Lab fee required. Limited to 20.

Note: schedule change from TR 2-5 to TW 2-5 (11/18/2025)

4.352 UG | 4.353 G

Advanced video production, installation, and exhibition design introduces advanced image and sound design strategies from both a technical and conceptual perspective. Storytelling is the linchpin that unites these seemingly disparate forms. Visual semiotics and media analysis, alongside installation and exhibition design, offer a perspective from which to consider how meaning is constructed when you engage across different forms of art production such as within individual artworks, media installations, and the design of exhibitions. Each of these forms implies a different spatial configuration and it is the relationship between the artwork and the space where it is displayed that determines how the work is understood by a viewer.

Additional work required of students taking the graduate version.