Classes

While design is frequently deployed as a problem-solving instrument, it can unintentionally result in ethical dilemmas and unanticipated outcomes. This course uniquely combines the critical lens of art with the innovation framework of DesignX, promoting introspection and thoughtful deliberation before diving into design interventions. This transdisciplinary class initiates a collaboration between ACT and the Morningside Academy of Design through DesignX. Students design and present visual representations on the social impact area they choose to innovate and explore on. Undergraduates are welcome.

UG: 4.368; G: 4.369

Focuses on the production of artistic interventions in public space. Explores ideas, situations, objects, and materials that shape public space and inform the notion of public and publicness, with an emphasis on co-production and cooperative ethics. Examines forms of environmental art in comparison to temporal and critical forms of art and action in the public sphere. Historical models include the Russian Constructivists, the Situationists International, system aesthetics, participatory and conceptual art, contemporary interventionist tactics and artistic strategies, and methods of public engagement. Students develop an initial concept for a publicly-situated project. Includes guest lectures, visiting artist presentations, and optional field trips.

Additional work required of students taking graduate version. 

Explores the theory and criticism of intersections between art, culture, and technology in relation to contemporary artistic practice, critical design, and media. Students consider methods of investigation, documentation, and display and explore modes of communication. Students develop projects in which they organize research goals, engage in production, cultivate a context for practice, and explore how to communicate, display, and document work, with artistic practice as a method of critical inquiry/knowledge dissemination. Regular presentation and peer-critiques, reviews with ACT faculty and fellows, and external guest reviewers provide feedback as projects develop. Simultaneously, students prepare for thesis through both foundational texts in contemporary theory and criticism and artist writings, alongside presentations and discussions on methodological perspectives required of interdisciplinary approaches. Restricted to SMACT students.

Describes interactions between people and sound, indoors and outdoors, and uses this information to develop acoustical design criteria for architecture and planning. Principles of sound generation, propagation, and reception. Properties of materials for sound absorption, reflection, and transmission. Design implications for performance and gathering spaces. Use of computer modeling techniques.

Note for MArch students: Serves as a BT elective credit (for 4.46x credit resolution or Certificate in Climate & Sustainability)

Given their outsized contribution to anthropogenic greenhouse gas emissions and unique ability to provide shelter to occupants, buildings are a key lever for both climate mitigation and adaptation. As weather events become more extreme, many buildings will fail to protect human health and provide economic security, causing an estimated 14.5million deaths and US$12.5trillion in losses by 2050. While the stakes could not be higher, we have surprisingly limited climate-actionable information on individual buildings worldwide, be it their propensity to overheat, potential to be retrofitted or evolving impact on their surrounding energy infrastructure. This class first introduces students to physics-based methods to derive this information for case study cities under current and future climate scenarios. Working directly with US and international policymakers, we will then develop concrete strategies to ensure resident health and prosperity for all.

Additional work required of students taking the graduate version.

Note for MArch students: 4.433 serves as a BT elective credit (for 4.46x credit resolution or Certificate in Climate & Sustainability)

1/26/26 note: 4.440/1.056 Friday lab time is now 9:30-11:30.

UG: 4.440, 1.056; Grad: 4.462

Introduces the design and behavior of large-scale structures and structural materials. Emphasizes the development of structural form and the principles of structural design. Presents design methods for timber, masonry, concrete and steel applied to long-span roof systems, bridges, and high-rise buildings. Includes environmental assessment of structural systems and materials. In laboratory sessions, students solve structural problems by building and testing simple models. 

Graduate and undergraduate students have separate lab sections.

GIR LAB (4.440)

Selection of thesis topic, definition of method of approach, and preparation of thesis proposal. Independent study supplemented by individual conference with faculty.

Selection of thesis topic, definition of method of approach, and preparation of thesis proposal. Independent study supplemented by individual conference with faculty.

Introduces digital fabrication as a method of home, hut, and shelter delivery/construction. Explores the progression of industrial-based building production from prefab to digital fab. Examines new computational techniques for rapid construction, as well as the basics of tiny building design, 3D modeling systems, scalable ways to prototype, and computer numerical control (CNC) fabrication. Students use lab time to design a prototype of a small building as a single packaged product. Additional work required of students taking graduate version. Lab fee required. Enrollment limited.

UG: 4.507 G: 4.567

Addresses fundamental methods, theories, and practices that engage contemporary modeling tools in the context of architectural design. Introduces selected academic and professional topics through lectures, demonstrations, and assignments. Topics include parametric modeling, component types and assembly, prototyping, scripting, and simulations. Initiates intellectual explorations in the use of building information modeling in research projects and design practices.

Additional work required of students taking graduate version.

See class website.

UG: 4.520 G: 4.521

Introduces a visual-perceptual, rule-based approach to design using shape grammars. Covers grammar fundamentals through lectures and in-class, exercises. Focuses on shape grammar applications, from stylistic analysis to creative design, through presentations of past applications and through short student exercises and projects. Presents computer programs for automating shape grammars.

Additional work required of students taking graduate version.

An in-depth introduction to shape grammars and their applications in architecture and related areas of design. Shapes in the algebras Ui j, in the algebras Vi j and Wi j incorporating labels and weights, and in algebras formed as composites of these. Rules and computations. Shape and structure. Designs.

Topics vary from year to year. Can be repeated with permission of instructor.