Classes

Group discussions and presentation of ongoing graduate student research in the Computation program.

Students select thesis topic, define method of approach, and prepare thesis proposal for SMArchS Computation degree. Faculty supervision on a group basis. Intended for SMArchS Computation program students, prior to registration for 4.ThG.

Selection of thesis topic, definition of method of approach, and preparation of thesis proposal in computation. Independent study supplemented by individual conference with faculty.

4.603 UG / 4.604 G

Examines modern architecture, art, and design in the context of the political, economic, aesthetic, and cultural changes that occurred in the twentieth century. Presents foundational debates about social and technological aspects of modern architecture and the continuation of those debates into contemporary architecture. Incorporates varied techniques of historical and theoretical analysis to interpret exemplary objects, buildings, and cities of modernity.

Additional work required of students taking the graduate version.

Studies the interrelationship of theory, history, and practice. Looks at theory not as specialized discourse relating only to architecture, but as touching on many issues, whether they be cultural, aesthetic, philosophical, or professional. Topics and examples are chosen from a wide range of materials, from classical antiquity to today.

This course offers a wide review of the history of Islamic architecture, tracing fifteen centuries of development across three continents — Asia, Africa, and Europe. Beginning with the House of the Prophet in Medina in the 7th century and culminating with the skyline of contemporary Dubai, the course presents architecture as both a material record and a cultural expression of the historical conditions in which Islam was formed, practiced, and continually reinterpreted.

Each session centers on a city, monument, or building type, while keeping sight of the larger narrative that links diverse regions and periods into a coherent story.  Lectures analyze form, construction techniques, materials, style, ornament, and decoration, as well as the social, religious, political, and cultural frameworks that shaped architectural production.  Particular emphasis is placed on the role of patronage and on the ways architecture served as a stage for identity, power, and community.

Cross-cultural exchanges are examined throughout, from the absorption of Late Antique traditions in early Islam to encounters with the West during the colonial and postcolonial eras. The course concludes by exploring the revival and reinvention of Islamic architecture in the modern age of nation-building, globalization, and rapid urban development.

Seminar on selected topics from the history of Islamic urbanism. Examines patterns of settlement, urbanization, and architectural production in various places and periods, ranging from the formative period in the 7th century to the new cities emerging today in Asia and Africa. Discusses the leading factors in shaping and transforming urban forms, design imperatives, cultural and economic structures, and social and civic attitudes. Critically analyzes the body of literature on Islamic urbanism. 

Research paper required.

Seminar on a selected topic in critical theory. Requires original research and presentation of oral and written report.

The relationship of architecture and law runs far deeper than the regulatory strictures of building codes or zoning ordinances. Both architecture and law are humanistic disciplines that shape the contours of societies in ways beyond their instrumental or professional applications. They fashion judgments and values, define jurisdictions and transgressions; they invent and maintain cultural imaginaries, sponsor and constrain techniques and practices. Seen in an expansive historical view, architecture and law have long maintained a mutual engagement in the public sphere and in disciplinary discourse.

This reading seminar will explore the myriad manifestations of legal thought, practices, and objects that occur within architectural discourse, and, reciprocally, the many appearances of architecture within law and legal discourse. Each week, the seminar will read across a specific theme to discern and evaluate the circumstances and consequences of a particular relationship of architecture and law. Themes will include property, code, jurisdiction, taxation, precedent, human rights, the rights of nature, copyright, measurement, and other topics across a range of physical and social scales.

The seminar will parallel the Temporal Commons research platform, and therefore issues of design, temporality, and change in the relationship of architecture and law will be of particular interest. The seminar is open to doctoral and masters degree students (and undergraduates with the permission of the instructor). Students may enroll either for 12 units (to take the class as a seminar with a required research paper) or for 6 units (to take the class as a workshop with one required presentation).