UG: 4.032, G: 4.033

Provides an introduction to working with information, data and visualization in a hands-on studio learning environment. Studies the history and theory of information, followed by a series of projects in which students apply the ideas directly. Progresses though basic data analysis, visual design and presentation, and more sophisticated interaction techniques. Topics include storytelling and narrative, choosing representations, understanding audiences, and the role of designers working with data. 

Graduate students are expected to complete additional assignments. 

Provides instruction in architectural design and project development with an emphasis on social, cultural, or civic programs. Builds on foundational design skills with more complex constraints and contexts. Integrates aspects of architectural theory, building technology, and computation into the design process. 

Introduces the tools, techniques and technologies of design across a range of projects in a studio environment. Explores concepts related to form, function, materials, tools, and physical environments through project-based exercises. Develops familiarity with design process, critical observation, and the translation of design concepts into digital and physical reality. Utilizing traditional and contemporary techniques and tools, faculty across various design disciplines expose students to a unique cross-section of inquiry.

Introduces fundamental design principles as a way to demystify design and provide a basic introduction to all aspects of the process. Stimulates creativity, abstract thinking, representation, iteration, and design development. Equips students with skills to have more effective communication with designers, and develops their ability to apply the foundations of design to any discipline.

This design-build workshop challenges anthropocentric paradigms in architecture by focusing on rural revitalization through multispecies cohabitation in Jingdezhen, China.
What does architecture look like when humans, animals and plants occupy the same space?

What design opportunities can be identified within the rural villages? And how can we incorporate technology and innovation within these places ?

The workshop will fund students to travel to China: to Nanjing, Jingdezhen, and Suzhou -  Shanghai, visiting, studying and working toward the re-design of a depopulated village near Jingdezhen as a demonstration site for a re-vitalized 21st Century farming village for research, education and production.

Provides the material system knowledge and fabrication process skills to successfully engage with all areas of the shop, from precision handwork to multi-axis computer numerically controlled (CNC) machining. Progresses through a series of basic exercises that introduce the material and workflow, concluding with more complex problems that explore opportunities and issues specific to architecture.

Introduces fundamental design principles as a way to demystify design and provide a basic introduction to all aspects of the process. Stimulates creativity, abstract thinking, representation, iteration, and design development. Equips students with skills to have more effective communication with designers, and develops their ability to apply the foundations of design to any discipline.

Realize design intentions materially, by hand and by machine. Learn techniques of lasercutting, 3D printing, textiles, light electronics, 3D scanning, design software, and generative processes. Explore the Morningside Academy for Design (MAD) makerspace during this weekly one-hour playground for prototyping.

Undergraduates welcome.

Clients, funding, consultants, contracts–architects are enmeshed in financial mechanisms that forever remind us of our direct reliance on local and global economies. Money talks and architecture follows: our work articulating the interests of those served while fluctuating with the rapidity of the market. And while this relationship may be fixed, perhaps we can find ways to resist its normative logics, which exacerbate social inequalities and consolidate power in the hands of the few and the privileged. This workshop will explore alternative economies and financial arrangements to find ways to re-code capitalism’s tendencies, desires, and outcomes. We’ll draw from a range of writing–from queer theory to post-colonial studies to literary criticism–to undo dominant financial orientations and to engineer collective values.

We will ask whether in addition to designing architecture, we can also design the market that demands architecture–to produce economic scenarios under which we might build. We will read constellations of texts that include economic anthropology (studying how economies are shaped by behavior, cultural values, and social relationships), work from other disciplines, and case-studies to invent atypical demand-chains, resist models of optimal performance, and instrumentalize culture to undercut efficiency. We will look at how we might produce clients, programs, and actor networks rather than responding to the whims of the market. We will consider how we might think of economic arrangements as tools for designers.

Each week, students are asked to produce written responses to the reading and to help guide discussion, researching and exploring examples and references to ground our work. The task is to produce a collective and cumulative body of knowledge. Together, we will read, write, and compile a compendium of research on the topic. Students are encouraged to find broad reaching examples–from the domestication of post-war military technology to the proliferation of sharing economies to recent trends in reuse and the circulation of materials and everything in between. We will focus on buildings, materials, and products, largely drawn from North America in the 20th and 21st centuries but may also look further afield. The course will focus on real examples of immaterial and material phenomena, inventing new languages and representational strategies along the way.